Denise Bibro Fine Art is pleased to host the Women’s Caucus for Art exhibition Petroleum Paradox: For Better or For Worse?, juried by Eleanor Heartney, on view May 24 through June 23, 2012.

Co-President for New York WCA, Marcia Annenberg, states: "this exhibit seeks to raise awareness of the imminent danger of uncontrolled climate change, caused by an excessive dependency on fossil fuels… It is our generation that has been called to this task.”

To paraphrase Eleanor Heartney, “… the thoughtful works that comprise this exhibit present questions, such as ‘How do we balance economic development, environmental protection, and geopolitical stability in an ever more precarious world? What are we willing to give up today to avoid catastrophe tomorrow? Where should we commit our resources? How should we define our social and economic priorities?’”

The variety of perspectives of the artists involved employ photography, video, painting, and sculpture. These artists reinforce the paradox at the center of our environmental predicament. Heartney notes, human creativity and innovation are at the root of our difficulties, but they are also the source of our potential salvation.

The Women’s Caucus for Art was founded in 1972 in connection with the College Art Association (CAA). WCA is a national organization unique in its multidisciplinary, multicultural membership of artists, art historians, students, educators, and museum professionals. It’s to create community through art, education, and social activism. WCA is committed to recognizing the contribution of women in the arts; providing women with leadership opportunities and professional development; expanding networking and exhibition opportunities for women; supporting local, national and global art activism; and advocating for equity in the arts for all. The Women’s Caucus for Art actively supports the UN Millennium Goals. WCA utilizes art as the universal language to engage artists, NGOS, and civil society on a broad range of issues such as gender equity and environmental sustainability. As a founding member of the Feminist Art Project, WCA is part of a collaborative national initiative celebrating the Feminist Art Movement and the aesthetic, intellectual and political impact of women on the visual arts, art history, and art practice, past and present.

About the juror: Eleanor Heartney, is a Contributing Editor to Art in America and art press and has written extensively on contemporary art issues for such other publications as ARTnews, Art and Auction, The New Art Examiner, The Washington Post, and The New York Times. She received the College Art Association’s Frank Jewett Mather Award for distinction in art criticism in 1992. Her books include: Critical Condition: American Culture at the Crossroads (Cambridge University Press, 1997); Postmodernism (Cambridge University Press, 2001); Postmodern Heretics: The Catholic Imagination in Contemporary Art (Midmarch Arts Press, 2004); Defending Complexity: Art, Politics and the New World Order (Hard Press Editions, 2006) and Art and Today (Phaidon Press Inc., 2008), a survey of contemporary art of the last 25 years from Phaidon. She is a co-author of After the Revolution: Women who Transformed Contemporary Art (Prestel Publishing, 2007), which won the Susan Koppelman Award. Heartney is a past President of AICA-USA, the American section of the International Art Critics Association. In 2008 she was honored by the French government as a Chevalier dans l’Ordre des Arts et des Lettres.

A catalog of Petroleum Paradox: For Better or For Worse? will be available in the gallery.

Artists:
Elaine Alibrandi
Krisanne Baker
Paul Bouchard
Tracy Brown
Allegra Burke
Donna Catanzaro
Alice Dubiel
Sally Edelstein
Johnny Everyman
Terri Garland
Carla Goldberg
Karen Gutfreund
Robin M. Jordan
Noreen Larinde
Molly Magai
Paho Mann
Barbara Milman
Mitzi Lynn Mize
Sandra Mueller
Lynnda Pardoe
Stefani Rossi
Soledad Salame
Loredana Sangiuliano
Manju Shandler

Simone Spicer
Greg Stange
Deborah Mills Thackrey
Lucy Traeger
Michelle Waters
Margi Weir
Jenifer Wightman

Petroleum Paradox: For Better or For Worse?

Collaboration with Women's Caucus for Art
May 24 - June 23, 2012
Opens May 24, 6:00 PM - 8:00 PM

Works

Breeze Above Ground

Robin M. Jordan, Breeze Above Ground, 2012

Content Aware Anxieties

Krisanne Baker, Content Aware Anxieties, 2012

The Price of Oil #4

Paul Bouchard, The Price of Oil #4, 2008

Massive Pile Up

Tracy Brown, Massive Pile Up, 2012

I Want My WMD's

Karen Gutfreund, I Want My WMD's, 2008

The Effect of Snowmelt on Past Cultural Landscapes (edition of 15)

Alice Dubiel, The Effect of Snowmelt on Past Cultural Landscapes (edition of 15), 2011

Oils Well That Ends Well

Sally Edelstein, Oils Well That Ends Well, 2010

Drip Drop - This is Not Water

Carla Goldberg, Drip Drop - This is Not Water, 2011

Oil Zombies

Donna Catanzaro, Oil Zombies, 2011

Obama Wants You!

Johnny Everyman, Obama Wants You!, 2012

Detroit Urban Cathedral

Lynnda Pardoe, Detroit Urban Cathedral, 2007

Sky Color of Oil 1

Noreen Larinde, Sky Color of Oil 1, 2012

Water Bottles

Paho Mann, Water Bottles, 2009

Coral Frolic

Barbara Milman, Coral Frolic, 2008

Floundering in Oil & the Cost of Fish

Mitzi Lynn Mize, Floundering in Oil & the Cost of Fish, 2011

Oil, Water and Me

Sandra Mueller, Oil, Water and Me, 2010

Broken Lament, near Montegut

Terri Garland, Broken Lament, near Montegut, 2011

Out

Stefani M. Rossi, Out, 2009

Gulf Distortion IX

Soledad Salame, Gulf Distortion IX, 2011

Smokestacks

Loredana Sangiuliano, Smokestacks, 2011

Leviathans 1

Manju Shandler, Leviathans 1, 2011

Pumped

Simone Spicer, Pumped, 2011

Jesus and the 12 Disciples (American version)

Greg Stange, Jesus and the 12 Disciples (American version), 2009

Manhole Cover, Woodstock NY

Deborah Mills Thackrey, Manhole Cover, Woodstock NY, 2008

Clean Up

Lucy Traeger, Clean Up, 2009

American Nightmare

Michelle Waters, American Nightmare, 2007

Under the Boardwalk

Margi Weir, Under the Boardwalk, 2011

Subway Balls

Jenifer Wightman, Subway Balls, 2011

Outcome

Elaine Alibrandi, Outcome, 2001

Spokane Street 4

Molly Magai, Spokane Street 4, 2012

Drill It, Pump It, Carry It, Bury It

Allegra Davis Burke, Drill It, Pump It, Carry It, Bury It, 2010


Powered by ArtCat