Prints

1993 Letterpress, black ink on translucent archival velum 14 x 8.25 inches, 35.56 x 20.955 cm unframed Edition of 96 Sgined and numbered

1998 4-color archival silkscreen 22.5 x 22.5 inches, 57.15 x 57.15 cm unframed Edition of 3, plus 1 AP

2010 Digital inkjet print 28 x 22 inches, 71.12 x 53.34 cm unframed Edition of 25 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.  

1990 Letterpress, magenta ink on cream archival paper 17.5 x 12.5 inches, 44.45 x 31.75 cm unframed Edition of 100 Signed and numbered

2014 Giclee print 30 x 20 inches, 76.2 x 50.8 cm unframed Edition of 25 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.      

2013 Giclee print 28 x 21 inches, 71.12 x 53.34 cm unframed Edition of 5 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.

2015 Giclee print 21 x 17 inches, 53.34 x 43.18 cm unframed Edition of 15 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.

2011 Inkjet print 11 x 17 inches, 27.94 x 40.62 cm, matted Edition of 100 Signed by artist _ Danny Morgan’s mission is not to dictate the meaning of the chords in his compositions, but is to create a colorful, visceral scored experience for the viewer. His paintings depict transitional space between music and color coming together into visual form. The viewer interprets his or her own intellectual, emotional, and visceral response to each work.

2014 Giclee print 24 x 18 inches, 60.96 x 45.72 cm unframed Edition of 25 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.

2011 Inkjet print 15 x 17 inches, 38.1 x 43.18 cm, matted Edition of 250 Signed by artist _ Danny Morgan’s mission is not to dictate the meaning of the chords in his compositions, but is to create a colorful, visceral scored experience for the viewer. His paintings depict transitional space between music and color coming together into visual form. The viewer interprets his or her own intellectual, emotional, and visceral response to each work.

2011 Inkjet print 16.75 x 19.5 inches, 42.545 x 49.53 cm, matted Edition of 100 Signed by artist _ Danny Morgan’s mission is not to dictate the meaning of the chords in his compositions, but is to create a colorful, visceral scored experience for the viewer. His paintings depict transitional space between music and color coming together into visual form. The viewer interprets his or her own intellectual, emotional, and visceral response to each work.

2011 Inkjet print 21 x 16.25 inches, 53.34 x 41.275 cm, matted Edition of 100 Signed by artist _ Danny Morgan’s mission is not to dictate the meaning of the chords in his compositions, but is to create a colorful, visceral scored experience for the viewer. His paintings depict transitional space between music and color coming together into visual form. The viewer interprets his or her own intellectual, emotional, and visceral response to each work.

1997 Letterpress, magenta ink on cream archival paper 17.5 x 12.5 inches, 44.45 x 31.75 cm unframed Edition of 100 Signed and numbered

1997 2 color letterpress, blue & silver ink on rust color archival paper 17.5 x 12.5 inches, 44.45 x 31.75 cm unframed Edition of 93 Signed and numbered

2013 Giclee print 28 x 21 inches, 71.12 x 53.34 cm unframed Edition of 5 Certificate of Authenticity included _ Jerry Meyer has been working with solid acrylics (Plexiglas) since 1992.  In 1997, he began combining the acrylics with kitchen appliances (“under-appreciated icons of our lives”) and adding electric light. He then expanded upon his use of Plexiglas by incorporating other plastic materials as a source of translucent color, such as water guns, screwdriver handles, 45 vinyl records, plastic jewelry and plastic toys.